"An unconvincing origin film of a well-loved fairy tale
character.”
We all known Peter Pan and we all loved his story of
exploits and adventures. With Pan,
director Joe Wright squeezes the childlike wonder and joy out of the tale to
tell a serious and dark origin story. Reimaging a favorite bedtime legend
through a different perspective may have worked for 2014’s Maleficent but the formula certainly does not bring magic in
Wright’s latest feature.
The film is set at Lambeth Home for Boys in war-torn
London during the worst of the Nazi bombing raids. Left at the orphanage as a
baby by his mother (Amanda Seyfried) along with a letter and a pan-pipes
medallion, Peter (Levi Miller) grows to be a curious and mischievous boy.
Lately, Peter notices strange disappearances happening around the facility and
with his best buddy Nibs (Lewis MacDougall), he sneaks into the office of the
tyrannical overseer Mother Barnabas (Kathy Burke). Alas, they discover a hoard
of silver coins and rations. That night, she raises a black flag above the
orphanage and bungee-jumping pirates drop from the sky and kidnap the children,
including Peter.
The pirate squad is lead by the notorious Blackbeard (Hugh Jackman). Sailing on an old ship in the sky, Blackbeard and his crew, along with their latest catch, head back to Neverland. They deliver their captives in a mining site where they are forced to dig for pixum or pixie dust, a rare crystalline substance that gives the power of flight and restores youthfulness to those who smoked its powder. For disobedient slaves, Blackbeard makes them walk on a plank and dive into a bedrock. It is not surprising that Peter finds himself pacing on the plank; yet, he takes a slight flight and saves himself from crushing into the ground. Blackbeard recalls the ancient prophecy that a boy with the ability to fly, born of a fairy prince and a human mother, will come someday and defeat him. Worried, he immediately sends Peter to prison.
A hero soon comes to Peter’s rescue. With his cohort Smee (Adeel Akhtar), James Hook (Garrett Hedlund), a fellow worker in the mines, successfully extracts Peter out of prison and escapes with another flying ship. Their quest leads them to Tiger Lily (Rooney Mara), the princess of the Neverland natives who have been spoiling the pirates’ mining expeditions. She enlightens Peter more about his mythical ancestry and with hopes of reuniting with his mother, the boy slowly embraces his destiny and begins to fight off the enemies in Neverland.
The pirate squad is lead by the notorious Blackbeard (Hugh Jackman). Sailing on an old ship in the sky, Blackbeard and his crew, along with their latest catch, head back to Neverland. They deliver their captives in a mining site where they are forced to dig for pixum or pixie dust, a rare crystalline substance that gives the power of flight and restores youthfulness to those who smoked its powder. For disobedient slaves, Blackbeard makes them walk on a plank and dive into a bedrock. It is not surprising that Peter finds himself pacing on the plank; yet, he takes a slight flight and saves himself from crushing into the ground. Blackbeard recalls the ancient prophecy that a boy with the ability to fly, born of a fairy prince and a human mother, will come someday and defeat him. Worried, he immediately sends Peter to prison.
A hero soon comes to Peter’s rescue. With his cohort Smee (Adeel Akhtar), James Hook (Garrett Hedlund), a fellow worker in the mines, successfully extracts Peter out of prison and escapes with another flying ship. Their quest leads them to Tiger Lily (Rooney Mara), the princess of the Neverland natives who have been spoiling the pirates’ mining expeditions. She enlightens Peter more about his mythical ancestry and with hopes of reuniting with his mother, the boy slowly embraces his destiny and begins to fight off the enemies in Neverland.
Expectedly, Pan
is a visual extravaganza. Its production designs and special effects are
overtly exorbitant and high-end. Costumes are vibrant and swanky, CGI are heavy and
impressive, and sound system is clear and booming. Its action set pieces are
also solidly choreographed, particularly the one involving flapping
martial-arts routines on trampolines and the final battle on Jolly Roger.
However, technical aspects are not enough to summon the
necessary suspense and thrill. It takes so much time to set up with still so
many unanswered questions at the end. Other than being stripped of dramatic
tension, the film also has a limited sense of fun, very disappointing for a
tale that should have stirred our childlike dreaminess or inspired playfulness and
imagination. Yes, we are taken to Neverland but we spend most of the time
exploring its sights, taking in its enormity and majesty, and meeting
characters that vanish as quickly as they appear like the colossal crocodile and
the mermaids (Cara Delevingne). They just come and go without having ample time
to have fun or for the audience to enjoy their presence. Even the air-borne
ships become boring after some time, especially that the pirates have no solid
story or defining purpose considering that it is an origin film. It is like a
quick trip to a nearby park or zoo; merriment just comes in flashes, without
leaving a joyful and lasting memory.
The movie also attempts to strike humor with its soundtracks.
Truly, it is amusing when the pirates chorused to Nirvana’s "Smells Like
Teen Spirit" and Ramones’ "Blitzkrieg Bop." But then, it is hard
to make sense of these songs’ relation to the pirate’s universe.
Characters are also a little off than what is known of them.
Twelve-year-old Australian child actor and model Miller does well as Peter with
his comic timing and adoring personality. Yet, his Peter is not that
mischievous as he is too probing about his true identity. Mara is a screen
beauty and a talented star but she is undeniably miscast as Tiger Lily. The character
is originally a Native American princess and the film fails to make her look
like one despite her outrageous garbs. Instead of a single race, the movie also
makes her tribe a multi-cultural collection of people but it just does not look
right. James Hook is another frustrating character here as he feels more like
Indiana Jones with his cowboy looks and playboy appeal. Hedlund is an eye candy
but his uneasy cowboy drawl does not sound good. And why is he in playing best
friend with Peter? Aren’t they supposed to be enemies? We keep waiting for
that moment when something snaps and their really good relationship breaks off.
But then that moment never comes even until the film rolls its final credits. There has
been no clue or foreshadowing of the man James Hook will become one day. So are
we still waiting for another origin story?
Jackman is almost unrecognizable as Blackbeard with his ghastly
makeup and phony conquistador look. Still, he is a funny presence and Jackman
once again proves he is a legitimate character actor and a theatre star.
Pan is not a
convincing origin film. Connections to the characters we already know are not
clearly and definitely established. The creators should have fabricated their
own characters with this tale instead of attempting to change what we believe which
they have miserably failed to do so.
Production company: RatPac-Dune
Entertainment
Cast: Hugh Jackman, Garrett Hedlund, Rooney
Mara, Levi Miller, Adeel Akhtar, Kathy Burke, Nonso Anozie, Amanda Seyfried,
Jack Charles, Lewis MacDougall, Bronson Webb, Taejoo Na, Cara Delevingne
Director: Joe Wright
Screenwriter: Jason Fuchs, based on
characters introduced by J.M. Barrie
Producers: Greg Berlanti, Sarah Schechter,
Paul Webster
Executive producers: Tim Lewis, Steve
Mnuchin
Directors of photography: Seamus McGarvey,
John Mathieson
Production designer: Aline Bonetto
Costume designer: Jacqueline Durran
Editors: Paul Tothill, William Hoy
Music: John Powell
Visual effects supervisor: Chas Jarrett
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