"A raw and unforgiving story of loss and grief.”
Loss and grief always come together and how we react to them
varies greatly. While some succumb to a state of denial, others channel their
anger and misery to other things. Such blurring realities are the subjects of
the directorial debut of cinematographer Reed Morano called Meadowland, a story of how a couple
respond with the sudden and inexplicable disappearance of their only child.
In the prologue, happy parents Phil (Luke Wilson) and Sarah
(Olivia Wilde) are on a road trip with their 8-year-old son Jesse. Needing some
rations, the family stops by a gas station. Jesse takes a leak at the bathroom
which has a backdoor that opens to a garage and then to the outside. To the parent’s
shock, their son never comes out.
One year later, Jessie remains missing and detectives occasionally
calls the couple for some possible leads to their son’s whereabouts. While Sara
teaches in the New York City public school system, Phil is all over the city
playing cop. Phil is more receptive of the information given by the detectives.
He starts attending support-group sessions and befriends another man (John Leguizamo) who he goes out with to talk about their losses over bottles of
beer. On the other hand, Sarah is convinced that Jesse is just somewhere, alive
and very fine. She begins slipping away unnoticed at nights. Donning a yellow
hoodie, she frequents the streets around Times Square and roves through the crowd. At school,
she identifies herself with some aloof and lonely students, like a smart black
girl who loves listening to hardcore rock music and cutting herself, and a boy
who is suffering from Asperger’s. As the couple imperceptibly drifts apart, the
truth about their son’s disappearance is slowly dawning upon them.
Meadowland is a lethargic
but visually arousing family drama. It is a slow, careful and painful study of parents
losing a child. Response from both parents are different, each of them dealing
with grief and depression in their own terms. The film succeeds in portraying several
basic understandings about the subject matter. First, loss is not something so
easy to get over with, especially when it concerns a loved one. It is a
nightmare one must endure, something that one bears again and again with each passing
minute that moving on from it is even harder. Everyone also deals with the same
loss differently, even among couples and family members, and thus, loss does
not necessarily bring people together. Instead, it unfortunately drives them
apart as one seeks his or her own space to sort things out.
The movie strongly captures the pathos and melodrama of the estranged family. Wailing
and tears are very minimal as it is more subtle in dealing with its emotional
topic. Filmed with a dreamy yet gloomy atmosphere, the movie is mostly quiet
and focused, and at times distraught and phantasmal. After the incidence, the
gestures between the couple are almost always empty and distant, like when
Sarah leans her head on her husband's shoulder or when Phil reaches out to hug his wife. Shots
are also frequently focused on the actors’ face, lucidly showing the glint in their
eyes, the arching of their brows and every little movement suggestive of their
inner turmoil.
Acting is grounded and superb, particularly for Wilde and
Wilson who we see more often in lighter fares. Wilson is charismatic as always,
even with his sad-sack self-absorption. Wilde has a hypnotizing performance as
she delivers the volatility and vulnerability of a grieving mother. There is
also a constant flood of cameos here by actors whose presence further tests the
stability of the couple’s relationship.
Meadowland is a
slow-burning yet effective study of loss and grief. While the narrative is genuine and
unforgiving, acting is raw and subtly intense. It is harrowing and emotional effects
linger for a long while.
Production company: Bron
Studios
Cast: Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss, Ty Simpkins, John Leguizamo, Kevin Corrigan, Merritt Wever, Scott Mescudi, Mark Feuerstein, Juno Temple
Director/director of photography: Reed Morano
Screenwriter: Chris Rossi
Producers: Olivia Wilde, Margot Hand, Matt
Tauber, Aaron L. Gilbert
Executive producers: Jennifer Levine, Jason
Cloth, Alex Garcia, Santiago Garcia Galvan, Marla Rand, Scott Paterson, Lauren
Selig
Production designer: Kelly McGehee
Costume designer: Mirren Gordon-Crozier
Editor: Madeleine Gavin
Music: Adam Taylor
0 comments:
Post a Comment