“A
talky yet mesmerizing psychological battle between two girl friends.”
What breaks people? And what drives them apart? In Alex Ross Perry’s intensely tormenting psychological thriller Queen of Earth, two women friends suffer love-hate syndrome. As
their internal turmoil translates into threats of physical violence, they will
discover long-buried mutual antipathy, insecurity, and self-destructive egoism.
The film opens with a close-up shot of Catherine (Elisabeth Moss) in what seems to be in an angry and agonizing state of mental breakdown.
With hair dishevelled and makeup smearing around her eyes, she is pleading with
her unfaithful boyfriend James (Kentucker Audley) who is dumping her for
someone else.
To recuperate, her long-time best friend Virginia (Katherine Waterston), or Ginny to her friends only, invites her to spend some quiet time
at her family’s lakeside house. In between hiking, painting and reading books,
the two friends are either comforting or criticizing each other. The tension
intensifies when Virginia also invites over her neighbor Rich (Patrick Fugit).
The same dynamics happened a year earlier when Catherine
brought along her ex-boyfriend to what supposedly their girls’ weekend.
Virginia was exasperated by that time. The tables have turned as it is
Catherine who must now endure a male presence in their company. With their friendship
slowly fracturing and well-kept pains unearthed, Catherine must hold on to
every thread of sanity in her.
Unlike most films in the genre, Queen of Earth is vigorous and mesmerizing. While it is mostly
mysterious and obscure, it is coldly and wickedly funny at some points. It does
not have a twisty plot; its engrossing appeal is due to brilliant filmmaking and
performances of the actors. It is not even bloody or physically violent; its frightening
aspect is due to the state of the characters' mental and emotional well-being. Here, we
have two friends who are terribly and brutally honest with each others. They do
not catfight; they simply lash out at each other with devastating words and in
complete chilly tone, pushing the other to be even more hurtful. Between the
two, Catherine is more unhinged and unpredictable. With her father’s death and
her ex-boyfriend abandoning her, she becomes emotionally unstable and socially
repulsive. But Virginia is not without a problem. Her resentment and jealousy grow
stronger with each day she spends with Catherine. And each time, these two unusual
friends are tireless in pointing out their wrongs, enough that Catherine approaches
the brink of madness. They say they care about each other, but do they? Really?
Simply said, the film is an intriguing analysis of complex temperaments,
bitter perceptions and hardboiled personal issues. The two leads may be skating
between friendship and enemies but both recognize the need for a company, not
simply because they can depend on the other but due to some narcissistic
viewpoint. With their sense of entitlement and superiority, they need to feel
they are above the other. As the title suggests, the idea of being the “queen”
is their defense against their own self-sabotaging traits.
Much of the film is told in monologues, each friend speaking
in soliloquies, the message addressed more to the speaker than the listener. Interestingly,
the camera focuses more frequently on the listener, capturing her unbridled reactions.
Such scenes are shot in off-kilter camera angles or claustrophobic close-ups, creating
tenser and tauter atmosphere.
Moss and Waterston both deliver piercing performances. Moss kills
Catherine as she switches different masks – from humorous to easy to paranoid
and to mildly demonic. She has so much to work on her palette but she does them
splendidly. With that poker face, Waterston brings saintly menace to Virginia. Fugit
is also notable as the nasty, mind-playing leading man.
Queen of Earth is
indeed suspenseful because of the psychological warfare of its characters. With
its dark humor, playful shots and portentous musical score, the chill is
further intensified. It may be an art house but it still misses some commercial
value. It is also quite upsetting that the film ends with no proper conclusion.
Production company:
IFC Films
Cast: Elisabeth Moss, Katherine
Waterston, Patrick Fugit, Kentucker Audley, Keith Poulson, Craig Butta, Kate
Lyn Sheil
Director: Alex Ross Perry
Producers: Elisabeth Moss, Alex Ross
Perry, Joe Swanberg, Adam Pitrowicz
Screenwriter: Alex Ross Perry
Executive producers: Peter Gilbert,
Edwin Linker, Christos V. Konstantakopoulos
Director of photography: Sean Price
Williams
Production designer: Anna Bak-Kvapil
Costume designer: Amanda Ford
Editor: Robert Greene
Music: Keegan DeWitt
0 comments:
Post a Comment